shiftythrifting:

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this ominous shirt from goodwill in maplewood, mn

lostalittle:

I love it when literature touches me, when it reaches my bones. It doesn’t matter if it’s in a pleasurable way or a horrifying way, either way it’s satisfying.

queenwaker:

thepoisonroom:

loudly going “YOU’RE GOOD YOU’RE GOOD” to myself to ward off the memory of every embarrassing thing i’ve ever done

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papayajuan2019:

will you just let me be silly for a sec. there’s this dread so ancient in me


echeveriia:

echeveriia:

echeveriia:

i’m starting a collection

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the collection grows!!!!!

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elodieunderglass:

So a real thing with the dissolution of social networks is the loss of small connections. Funny takes and long threads can be archived, but how do you preserve your bond with a mutual? How do you find each other again? With every platform move we lose small connections with people we appreciated. That’s a sad, involuntary little break-up. Sorry to all the little ghosts I’ve lost over the years. Sorry to all the new ones coming.

twentybrokenipodclassics:

toskarin:

toskarin:

I went to see Parasite completely blind besides being aware (unavoidably) that there was a hard tonal shift at some point. I saw the poster and stuff, but that was it

the entire time I was bracing myself for it to shift into some sort of alien parasite psychological horror movie, which seems really presumptuous, except I saw Bong Joon-ho’s The Host and that movie actually did have a giant monster in it, so I wasn’t putting it past him

god the class dynamics in this movie are so stressful already… keeping up this double life while still taking care of your family…… and if that’s not bad enough, they’re gonna have to deal with The Parasite when it shows up

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dogrotpdf:

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MISS YOU. WANT TO GET NOODLES WITH YOU. DISREGARD THIS, After Gabrielle Calvocoressi, by Lev St. Valentine

dogrotpdf:

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HOPE YOU’RE WELL. PLEASE DON’T READ THIS.

joeinct:

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Oranges on Fire, Photo by Larry Sultan and Mike Mandel, 1975